Wednesday, February 11, 2015

Soul Food

There are many problems with the book The Telling Room by Michael Paterniti, but there are many greatnesses as well. One such is this, a snippet of philosophy the main character Ambrosio shares that the author tucks away in a footnote:

"I have a litte jar in my cave," he said, "a four-liter jug, the last wine made by a good friend of mine before he died: Joselito. It is now the second anniversary of his death, and I'm always thinking of him. I think of how he might have laughed at this joke, or that moment. Any little thing will remind me of him. And once in a while I want to drink his wine. I want to drink him, not his wine. I take a swig of it, of him, and I put the cork back on him. Maybe someone who hears this thinks I'm off my rocker, but this is what I believe: When I give anything—wine, a tortilla, my cheese—I am inside that. And of all the people who eat what I offer, only a special few realize that there's a spirit present, that there's my love."


Friday, February 06, 2015

Oxalis Redux

One plant I keep coming back to over and over, especially since our move north, is oxalis. I've written about this genus before and how I love its ease as a garden bulb, the way it provides textural foliage interest and satiny color when it blooms, the way some species of it persevere in dry, alkaline soil.

When my in-laws were here a couple weeks ago, the three of us headed over the Golden Gate to wander through Muir Woods. There, matted in jade tufts under the ruddy columns of redwood colonies, one of the California's few native oxalises, Oxalis oregana lives. The leaves of this species make perfect hearts that close in on themselves when too much sun breaks through the redwood canopy. They need the shade, moist fine leaf litter, and climate control of the giants above them, and when they do bloom, their blossoms are shy shells of veined white or palest pink. They're precious plants, lovely and tender.



On another day, we spent the afternoon in Half Moon Bay, just a hop over the spine of the Peninsula from where my husband and I now live. There, dramatic sweeps of the invasive weed Oxalis pes-caprae (aka Goat's Foot, Cape oxalis, and many other monikers) sported carpets of silky lemon blossoms. It's impossible for me to stand among these banks of yellow and not think of Wordsworth and his daffodils, the natural beauty that sustained him in times of pensive solitude.



Here, on the bluff above the ocean, these flowers shine, shine, shine. I know Oxalis pes-caprae is invasive—of it, Bay Area garden writer Pam Pierce writes, "Experienced gardeners say that it is unlikely you will ever get rid of Cape oxalis completely. In fact, some joke the best way to get rid of Cape oxalis is to move." Metaphorically, though, I admire the weed's tenacity and perseverance. It's blooming its head off in a new home, making this foreign bluff a joyful place, something its cousin who stays home in the safe shelter of others cannot do.